| Using 
                        a variety of technologies and mechanisms, this performance 
                        investigates the complex nature of the universe; breaking 
                        it down to simple elements that, when combined, produce 
                        unimaginable complexities. It suggests that the universe 
                        itself is a simple fluctuation in a void and ultimately 
                        nothingness prevails. The 
                        performance lasts 15 minutes (not including set-up time) 
                        and needs to take place in aconfined space so it can be filled with smoke.
 The 
                        video starts out with a simple white line on a black field. 
                        A distortion gradually emerges to become an amorphous 
                        shape that fluctuates in and out of existence. Over time 
                        more fluctuations appear and interact to produce a constant 
                        fluctuation. This fluctuation grows more and more complex, 
                        eventually encompassing images of nebula, planetary systems, 
                        nature and humans. At its most detailed, images from the 
                        personal life and experiences of the artist come to the 
                        fore. All images and details soon are engulfed in fractal 
                        forms which fluctuate and diminish until we are back to 
                        the static white line on the black field. The 
                        audio track, being mixed live by the performer, follows 
                        a similar dynamic to the video; i.e. starting with simple 
                        wave forms and gradually becoming more complex. It features 
                        sampled spoken words (from the movie Svengali) 
                        including the phrases: There is nothing in your 
                        mind, There is nothing in your soul 
                        and There is nothing in your heart. These 
                        phrases are reiterated by the slide projectors which project 
                        text in moving beams that traverse the smoke 
                        filled room like a lighthouse beam in fog. The 
                        technology being used is a mixture of simple low-tech 
                        and complex state of the art. The theremin is an example 
                        of the earliest electronic sound generators; consisting 
                        of simple occilators forming interference patterns to 
                        produce waveforms, yet it is being used to control the 
                        flow of complex digital soundforms produced with the latest 
                        fractal sound design software. Equally the slide projectors, 
                        simple light sources casting shadows from miniature images 
                        with mechanized prisms splitting the beams, display text 
                        generated with hi-tech imaging software. |